The Effectiveness of the Margin in the Novel The Darkness of Yael by Muhammad Al-Gharbi Imran
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Abstract
The research is concerned with studying a fictional text that won the Tayeb Salih Prize in Literature for the year 2013 AD, and it is a distinguished text by a writer who is considered to be a foundation in Yemeni culture and in practice. The rest of his literary production, which is the threshold of the margin, in order to know the extent of its relationships and interaction with the textual body, while explaining the extent of the importance of this threshold in highlighting its authority during reading the narrative building, in conjunction with the roles of the central text, and the functions it formed not only at the interpretive or aesthetic level, but on the psychological and ideological levels as well.Perhaps the experience of the Yemeni novelist Muhammad al-Gharbi Imran embodied that transformation and this came through a deep culture with different references from the contemporary history of his country. This cultural distinction contributed to the production of his narrative text that differed in its style and narrative form the prevailing Arab, as a rebellious text against the style of writing the modern novel was considered one of the texts of postmodern novels, through his presentation of a number of stories that were distributed between his margin and his body, which made his margin an effect that had nothing to do with the margin of previous novels as well as his interest in history as he used to evoke history and the future and ask them and wonder about them now same.
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