الفقد في الاشتغال الشعري، شعراء الشرقاط نموذجا
الشريط الجانبي للمقالة
محتوى المقالة الرئيسي
الملخص
يتناول البحث عدة محاور رئيسية تعلقت بالفقد، مرورا بتعريفه لغة واصطلاحا، حيث تقاطعت عدة معان في تعريفه منها فقدٌ مادي وفقدٌ معنوي، وكل ما له علاقة بضياع المشتركات الذاكراتية في تجربة الشعراء، ويحضر في الشعر بأشكال متعددة تحمل مضامين التجربة الشعورية سواء كان فقدانا وجوديا يتمثل (بالموت، والغياب، والانفصال) ام فقدانا معنويا يتجلى (بالحرمان ، والحنين ، والذكرى)، فكلها بواعث تفترض اشتغالا شعريا يعكس التجارب التي عاشها الشاعر مع ما فقده.
كما تناول البحث ثنائية الحضور والغياب، التي تعمل على استفزاز الذاكرة لدى الشعراء والعمل على مقارنة الوعي بين ما كان وما هو كائن، فهو الذي يعمل على تعرية العواطف في خلق النص الشعري، كما تناول البحث الرثاء وألم الذاكرة، وما يمكن تولده عاطفة الرثاء من صدق في الشعور وتراسل المفردات التي تعمل على تكثيف المعاني، وهذا من مسلمات الشعر الوجداني، الذي يستقي مادته من الموضوعات التي تتعالق مع العاطفة.
المقاييس
تفاصيل المقالة
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