التناص الادبي في مسرحيات جليل القيسي

Abstract

Contemporary literature pleads with vital mechanisms that preceded its existence in order to complete the limits of its quality, to consolidate its vision, and to seek its legitimacy that distinguishes it as a subsequent and correct step in the series of creativity.

The revealing historical view comes at the forefront of the new dealings. As it starts from reading the pages of the heritage in a way that investigates its contents, forms, variations, orbits and plans, which together constitute a theater that stands in the face of contemporary; Because it is the new face of its continuous cycle, which is resistant to stagnation and death. The contemporary writer's influence on the heritage does not limit him to one corner, so his interest is limited to his national or regional literature. Rather, it opens horizons for him to participate, so he connects with his old literature, then his new literature, and also connects with the literature of other peoples whenever he finds a need for that, and this need is fulfilled because he lives in a world in which knowledge and approaches intertwine, especially what is achieved through the many means of communication available now, but ((there is a difference Between the expression of heritage and the expression of heritage, in the first, the past is an end that the writer seeks, trying to restore it with its specifications, recovering its details and everything it contained, while the second level seeks to invest the heritage as an expressive artistic tool, investing in its revelations and the characteristics of life and literary dynamism that it carries. ) (1)