Social transformations and their manifestations in the Iraqi theater space
Main Article Content
Abstract
The relationship between social transformations and theatrical art formed a space for the functioning of contemporary theatrical trends and to express this relationship in the manner of creating a theater space loaded with a quantity of symbols and sings that express the nature of social conflict in each stage of human history, so the castles and palaces were in the most attended spaces They traded and dominated the classical theatrical trends , as for the popular environments , alleys, inhabited by the poor classes It is the most frequently discussed in the realistic and natural theatrical trends. Thus, the research problem crystallized by questioning the nature of the relationship between social transformations and the presence and expression of the theater show space ,and the researcher has identified in the theoretical framework two topics .in theoretical framework .The first deals with causes of social transformations and the most prominent sociology theorists at every historical stage instead 0f ( Bin Khaldoun,Auguste Count and Karl Marx),as for the second topic deals with the determinants of the selection and creation of the contemporary theater performance space in some international experiences, and after that the researcher was able to determine the theoretical framework indicators which he adopted in the analysis of the research sample. The third chapter , it contained the research sample ,and one was chosen with the intention of the( AL-nakhla waljiran) directed by (Qasim Muhammad), and through analyzing this sample, the researcher was able to arrive at the result of his research, while the fourth chapter contained the results and conclusions, then he concluded the research with alist of sources,
Metrics
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
College of Education for Humanities, TIKRIT UNIVERSITY. THIS IS AN OPEN ACCESS ARTICLE UNDER THE CC BY LICENSE http://creativecommons.org/licenses/by/4.0/
References
-khwrshyd Alnuwratjy ,Ahmd ,Concepts in philosophy and Sociology, General Cultural Affairs House,Baghdad,1990
-Casey ,Edward, Retrieving the Deference Between Place and Space ,journal of philosophy and Visual Arts ,Architecture ,Painting ,Coordinate. Andrew Benjamin,no5,1990
- Fathi, Hassan,Western Green Broadly in Middle East,Bei, Publications, University of Beirut, 1970.
--4- Casey, Edward, The Fate of place :philosophical History,University of California,press U.S.A,1997
- AL-ssaeatiu,Hassan ,Khaldouni sociology,Curriculum Rules, Al-Nahda printing and publishing ,Beirut,1979
- Al-Najjar ,Mehdi,reading at the front of Ben Khaldoun ,Beirut,1980 -
- El Khashab, Mustafa,Sociolgy and his Schools-History of Social Thinking ,Cairo ,Library of Engo Egyption,1977.
- Marcuz, Herbert,Mind and Revolution ,Translation, Foud Zakaria,Egyption General Authorityfor Education, Publishing and Translation,Cairo, 1979,
-Galletti, L, Marxism science or Revolution,ideology in social science,Reading in critical social Theory , Fontan,1975.
-Konstantinov ,F,&Kell ,v,Historical Materialism,sociology,progresspublishers,Moscow,1969
- A bdel Maati , Abdel Basset, Theoretical directions in Sociology,,Publications of Knowledge World,Kuwait, 1981
-Awbrsfyld,Ana,Reading Theater,translated by,Mei Altelmsine,center for languages and translation,Academy of Arts,Cairo,2001
-Akram Youssef,Space Theater, Dar Mushreq- Maghrub for Cultural Services Printing and Publishing,Damascus,1994,
- Samir Sarhan, Modern Experiences in Theatrical Art,Arab Center for Culture and Arts, Beirut
-Ennes, Christopher,The Vanguard Theater, translated by ,Sami Fikry, Academy of Fine Arts,Supreme Council of Antiqitiespress, Cairo.
- Abdel Hamid-Sami,Echo of contemporary play trends in the Arab world ,Al-Aqlam journal ,number -6,Baghdad, 1980 ,
-17-Evans,James Rose ,Experimental th eater from Stanislavsky to Peter Brook ,translated by Farouk Abdelkader , Sharjah Center for lntellectual Creativity Publication,Teater Library ,issue20,Sharjah,2001
-Mayerhold, Fisfold, In The Teatrical Art, translated by Sherif Shaker,Dar Al-Farabi, Beirut,1979
- 19-Brook,Peter,There are no Secrets, translated by Gharib Awad, AlAyyam Publishing House,Bahrain,1998
-Brook,Peter, Empty space ,Sami Abdel Hamid translated by ,Ministry of Education and Scientific Research,University of Baghdad,Faculty of fine Arts , Baghdad,1983
-Brook,Peter ,Translated Point , translated by Farouk Abdel Kader,Nation Council for Cultre, Arts and Literature, World Knowledge ,Kuwait,1991
- Consel,Colin ,Teater Performance Signs , translated by , Amen Hussein Rabat, Language and Translation Center,Arts Academy, Cairo ,2002
* An intervew with professor Dr.Abbas Ali Jaafar,who worked as an outlet for techniques in the play ,(The Palm and Neighbors), on Sunday 2020/1/12,at Ten in the morning at the Faculty of Fine Arts ,Theater Department