أسس الفكر الحداثي وتجلياته لدى المهجريين
الشريط الجانبي للمقالة
محتوى المقالة الرئيسي
الملخص
من المعروف أن الحداثة تركت أثرا بالغا في المادة الأدبية على نحو عام، والمادة الشعرية، على نحو أخص، ولكن اللافت أن المقاربات التي أجريت على الحداثة في صلتها بالنص الشعري العربي لم تتناول- ولو بشيء يسير- أثر ذلك في شعر المهجريين، على الرغم من أن البيئة الغربية ومعايشتها مكانيا وثقافيا تدعو للتأمل في ما اذا تجلت أو تسللت الى شعرهم بطريقة أو أخرى.
يطرح هذا البحث سؤالا معرفيا عن امكانية حضور مقولات الحداثة من جوانب معينة في شعر المهجريين، وبناء على ذلك تضمن البحث مداخل مفهومية للحداثة وجدليتها عند أبرز الفلاسفة الذين كانت أطروحاتهم فتحا جديدا في الفكر البشري وصارت مدخلا للحداثة في اسسها الفكرية، وأشارت إلى الأدباء الذين أحدثوا ثورة في القول الشعري وكانت نصوصهم منطلقا للحداثة الشعرية، كما أدرجت النقاد بنقاشهم المستفيض في جوهر الحداثة ومسائلها الرئيسة، مما انعكس على انارة الجوانب المختفية منها، والذي يمكن ان يوظف في كشف أسس الحداثة عند المهجريين، من الناحية الفكرية التي تضمنتها نصوصهم، مع الجوانب الفنية المغايرة التي يمكن ان تنتمي للمقولة الحداثية. وقد تم التركيز على شاعرين ينتميان إلى بيئتين مهجريتين مختلفتين في الشمال والجنوب، فضلا عن اختلاف اتجاههما الشعري، وهما إيليا أبو ماضي والشاعر القروي رشيد سليم الخوري.
المقاييس
تفاصيل المقالة
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المراجع
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