ذرائعية ثيمة الرحيل في فراقية ابن زريق البغدادي من التشكيل إلى التصوير
الشريط الجانبي للمقالة
محتوى المقالة الرئيسي
الملخص
تعد النظريات النقدية الحديثة طوق نجاة للنصوص الأدبية وفهمها، فالذرائعية مذهب فلسفي أدبي يعتمد على الحقيقة بعد التجربة الإنسانية، وابن زريق البغدادي الشاعر المشهور والمغمور في آن، أنتج لنا نصاً حياً، تتعاضد فيه الفكرة مع الأسلوب والصور الشعرية؛ لتكون لنا جسداً حياً ناطقاُ يشف لنا عن معاناة الغربة وأحوالها وأهوالها، وهو الذي سأعمل على استنطاقه من النص اليتيم، بعيداً عن الدراسات التقليدية التي تحاول تحليل العمل الأدبي وفق الأدوات الكلاسيكية، ولذا سيتناول هذا البحث فكرة الرحيل والغربة من منظور لساني بحثاً عن التشكيل، والتصوير، والقيم الجمالية، وكيفية توظيف الصور المبنيّة على المجاز توظيفاً فنياً مكثفاً؛ للكشف عن العمق الوجداني، والبعد الروحي للشاعر، في إطار شعري واحد يتمثل في الصورة المنتمية إلى عالمه النفسي.
المقاييس
تفاصيل المقالة
هذا العمل مرخص بموجب Creative Commons Attribution 4.0 International License.
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