Sources of Cultural Diversity in Postmodern Arts
Article Sidebar
Main Article Content
Abstract
Sources of cultural diversity originate from postmodern culture, characterized by fragmentation, multiple centers, and hybridization, as well as through mechanisms of diffusion and penetration.
The research aimed to explore the sources of cultural diversity in postmodern arts. The parameters of the research encompassed the period from 1950 to 2011, focusing on artistic works associated with postmodern art in America. The problem research answers the following questions:
- In what sense sources of cultural diversity, in its various forms, exert influence on the development of postmodernism?
- Do sources of cultural diversity enhance the diversity of visual cultural systems and media in the development of postmodernism?
Sections of the study address the intellectual and philosophical concept of postmodernism, cultural diversity and its influence on postmodern arts. The study concludes that cultural diversity is manifested through modern scientific and technological methods in the creation of contemporary plastic art.
Metrics
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
. Al Wadi, Ali Shanawa and Ammar Abdul Redha Al Husseini, Environmental Expression, Safa Publishing and Distribution House, Amman, 1911.
Abu Ahmed, Hamed: Postmodern Theories, Postmodern Issues in Literature and Criticism, Al Maraya Magazine, Issue (30), Damascus, 1996.
Abu Al Hassan, Ahmed bin Fares bin Zakaria: Dictionary of Language Standards, Dar Ihya Al Turath Al Arabi, Beirut, Lebanon, 1st ed., 2001.
Amhaz, Mahmoud: Contemporary Artistic Trends, 1st ed., Al Matbouat Company for Distribution and Publishing, Beirut - Lebanon, 1996.
ــــ: Contemporary Visual Art (Photography 1870 - 1970), Dar Al Mithlath for Design, Printing and Publishing, Beirut, 1981.
Angelis, David and others: Sociology of Art (Ways of Seeing), trans. Laila Al-Moussawi, World of Knowledge, Supreme Council for Culture, Arts and Literature, Kuwait, 2007.
Eagleton, Terry: Illusions of Postmodernism, trans. Mona Salam, Supreme Council of Antiquities Press, 1996.
Turin, now: Criticism of Modernity, Triumphant Modernity, trans. Sabah Al-Jahim, Publications of the Syrian Ministry of Culture, Damascus, 2007.
Al-Jizani, edited by Ali Hussein: Postmodern Arts and their Representations in Contemporary Iraqi Art, unpublished doctoral dissertation, College of Fine Arts, Babylon, 2014.
Jameson, Frederick: The Cultural Transformation (Selected Writings on Postmodernism), trans. Muhammad al-Jundi, Center for Languages and Translation, Beirut, 1998.
Hussein, Kamal Muhyiddin: Issues in Visual Art (From Primitive Art to Contemporary Art), Publications of the Arab Writers Union, Damascus, 1997.
Khreisan, Basem Ali: Postmodernism, a Study of the Western Cultural Project, 1st ed., Dar al-Fikr for Publishing, Damascus, 2006.
Al-Ruwaili: Megan, and Saad al-Bazie: A Guide for the Literary Critic, 2nd ed., Arab Cultural Center for Publishing, Beirut, 2002.
Ziyada, Radwan: Echo of Modernity, Postmodernism in Its Coming Time, Arab Cultural Center, Casablanca, Morocco, 2003.
Smith, Edward Lewis: Artistic Movements after World War II, trans. Fakhri Khalil, General Cultural Affairs House, Baghdad, 1995
Samaher Abdul Rahman Falatah: The Art of Optical Illusion and the Possibility of Creating New Designs for Metal Jewelry, Master’s Thesis, College of Education, Department of Art Education, King Saud University, 2008.
Kay, Nick: Postmodernism and Performing Arts, 2nd ed., trans. Nihad Saliha, Egyptian General Book Authority, 1999.
Al-Lujami, Adeeb, and others: Mu’jam Al-Muhit, reviewed by: Nabila Al-Razzaz, Ajeeb Website for Internet Pages, Sakhr Company Publications for Computer Programs, 1998-2007.
Muhammad Salama: The change in the concept of technology from modern arts to post-modernism, Mansoura University, a research published on the Internet, in: Fine Arts Forums, 2010.
Al-Masry, Abdul-Wahhab and Fathi Al-Turaiki: Modernity and Post-Modernity, Dar Al-Fikr Al-Muaser, Beirut, Lebanon, 2003.
Muhammad Abdul-Muhsin, Al-Ubaidi: The semantic transformation in contemporary Iraqi sculpture between the concept and the environment, unpublished master's thesis, College of Arts, University of Baghdad, 2004.
Muller, Joseph Emile: Art in the twentieth century, trans. Maha Farah Al-Khoury, Dar Talas, Damascus, 1988.
Youssef, Aqil Mahdi: The aesthetic counterpart in the philosophy of artistic form, Department of Culture and Information, Sharjah, 2005.
Terrvy , Eagle. Ton, the illusions of pot modernism , (MassachuseHs , Blaekwell publishers Inc. Second published , 1997.
Hassan ihab, The post modern turn ,Ohiostate university press , colummbus, London , 1987.
Coneptual Art: A critical anthologg, edited by alexander alberro and blake stimosa, the mit press, combridge, massachusetts, london,England,1999.
WWW.Graffiti.com
www.annabaa.org