دلالة الرمز في (محاولة في ابتكار غيمة ) للشاعر إبراهيم مصطفى الحمد

Abstract

We will discuss the poetic text of praise through its surface or its linguistic manifestation, which represented a series of expressive tricks that it resorted to, so we note on its text that it becomes activated as a result of the act of reading and the level of the reader, and we have used this text between free use as a stimulus of imagination, and between its interpretation as an open text Hence, we had the possibility of establishing the enjoyment of the text that Bart said (), and considering it as a motivator to use it in the most free way in order to interpret it, so we resorted to the text of praise to a wide cultural dictionary through which the semantic feature was revealed in its text.Therefore, we dealt with the text from its deepest formative roots, starting from the surface by reading, and as far as the analysis becomes expanded, it becomes able to meet the requirements of the semantic model that is intended, and this is through the semiotic vision that is not specific, as the text is ((the product of pre-existing semantic units in the latent field of The unlimited naming, and this cannot be limited within the framework of partial description except in the case of analysis)) (), and we will discuss in this research the significance of the symbol in the poems of praise in four sections, the first is represented by the meaning of belonging and the second talks about the meaning of the dream, while the third topic talks about the significance Returning to oneself. As for the fourth topic, we will study the significance of the tragedy.