Hidden Signal Talk in the Poets of Ghazal in the Umayyad Era The Modern Eye Gesture as a Model
Main Article Content
Abstract
The topic of the present paper handles the talk which is expressed in indirect and without a statement, and they have included their significance for themselves or for a casualty. It gave their texts social dimensions because each text constituted a supportive signal to increase the effectiveness of the text and provide it with new and innovative contexts away from the textual context.
The talk of reference is not limited to words only, but all the accompanying non-verbal means of communication, such as using the members of his body to communicate with others, that is, he speaks with his body as he speaks with his tongue, and this in turn helps in determining the meaning, revealing the semantics of communication and explaining them appropriately. Eye gestures received a large share, so the gesture with the eye and its accessories (blink, looking, winking, eyebrow, face, smiling, etc.) in their poems formed the central pronunciation. The poet no longer has to justify what he know
Metrics
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
References
- A beautiful collection of virginal love poetry: collection, investigation and explanation: Dr. Hussein Nassar, Egypt House for Printing.
- Al-Bayan wa Al-Tabeen, Abu Amr bin Bahr Al-Jahiz (255 AH), investigation: Abdel Salam Haroun, Dar Al-Jeel, Beirut, Lebanon, d.T, 1996
- Body Language, written by: Julius Fast, translated by: Adel Korkis, 2010.
- Diwan Al-Araji, the narration of Abu Al-Fath, Sheikh Othman bin Jani, explained and verified by: Khader Al-Tai, Rashid Al-Obaidi, Baghdad, 1st edition, 1956
- Diwan Al-Rama, presented to him and explained by Ahmed Hassan, Dar Al-Kutub Al-Ilmia, Beirut, Lebanon, 1, 1995 AD
- Diwan Katheer Azza, presented and explained by Majid Trad, Dar Al-Kitab Al-Arabi, Beirut, I 1, 1993
- Diwan Majnoon Laila, collected, investigated, and explained by Abdel Sattar Ahmed Farraj, Dar Misr for Printing, 37 Kamel Sedky Street, Cairo, d.
- Diwan of Ibn Al-Daminah Al-Khathami, explained and controlled by: Muhammad Al-Hashemi Al-Baghdadi, Al-Manar Press, Egypt, 1, 1918AD.
- Diwan Waddah Al-Yaman and its appendix The book “The Tragedy of the Poet Waddah”, written by: Muhammad Bahjat Al-Athari, Ahmed Hassan Al-Zayat, compiled and presented to him and explained by: Dr. Muhammad Khair Al-Beqai, Dar Sader, Beirut, 1, 1996.
- Explanation of the Diwan of Omar bin Abi Rabia Al-Makhzoumi: written by Muhammad Muhyi Al-Din Abdul Hamid, Al-Madani Press, Cairo, 3rd edition, 1384 AH = 1965 AD.
- Explanation of the Roots of Gold in Knowing the Words of the Arabs, Jamal Al-Din Bin Hisham Al-Ansari, edited by: Muhammad Mohi Al-Din Abdel Hamid, 8th edition, Cairo, Great Trade Library, 1960,: 27
- Manifestations in Umayyad Poetry: Azmi Al-Salihi and Nujoud Al-Hawamdeh: Amwaj Publishing House, 2012.
- The collar of the dove in the intimacy and the thousand, written by: Ali Bin Hazm Al-Andalusi, Hindawi Publishing Corporation, Cairo, 1, 2016
- The dramatic structure in ancient Arabic poetry, d. Emad Haseeb, Shams Publishing Corporation, Cairo, 1, 2011
- The effect of artistic coding on the poetry of virginal yarn (forms, dimensions, levels), Aseel Muhammad Nasser, Dar Al-Radwan for Printing and Publishing, Amman, 1st Edition, 2016
- The Fiqh of Language and the Secret of Arabic, authored by Imam Abi Mansour Abdul-Malik bin Muhammad Al-Thaalbi, Part One, 3rd Edition
- The language of movement, the body, and the art of the actor: written by Qassem Byatly, Arab Theater Authority, Sharjah Studies (32), 2016
- The Poetry of the Body in Ancient Arabic Poetry from Pre-Islamic Times to the Second Century, Dr. Amal al-Nakhili, Dar al-Kitab al-Masry, Cairo, and Dar al-Kitab al-Lebanon, Beirut, 1, 2012
- Virgin Poetry in the Light of Modern Arab Criticism (A Study in Criticism of Criticism), Muhammad Baluhi, Arab Writers Union Publications, 2000
Journals
- Features of Development and Renewal in Arabic Literature in the Umayyad Era: Researches of the Fourteenth Critical Conference: Editing and Revision by a. Dr.. Ahmed Falih:
- The language of women in the poetry of Omar bin Abi Rabia: Dr. Nujoud Atallah Al-Hawamdeh, Journal of the College of Education, Jerash University, p (2) 2012
- The Rhythmic Structure in Al-Araji’s Poem (Ouji Alina, the Goddess of Al-Hawdaj) and its Impact on the Production of Connotation and Building the Image: Dr. Saleh Muhammad Hassan, Journal of Research of the College of Basic Education, (Volume 10), (vol. 2) January 2011