Formation and its Relationship to Theatre
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Abstract
This study which is entitled, formation and its relationship to theatre, sheds light on the process of vision what is allowed in a comprehensive visual field of the theatrical text. This process is important in understanding and receiving everything related to the theatrical performance, such as the space in which the characters perform their various roles including kinetic and verbal images, as well as theatrical decoration, the clothes and masks that they wear in some cases. All these factors play important roles in the theatrical formation space.
This formation is presented within portraits, including movements, speeches, actions, colors and sounds in a technically harmonious plastic painting affecting the act of reporting the intended message. This intended message to be successful, the elements of the theatrical formation must be available from expressive paintings, decoration and vocabulary with contents, meanings and connotations.
The recipient of the theatrical text interacts more with the smoothness of the text, which includes a wide variety of arts contributing to the theatrical performance. The scenes, the roles of the characters, their dialogues, their conflicts and their languages are received with a great care in a vision necessary to achieve an understanding of its implications. On the other hand, it presents a direct expression of cultural, social and intellectual aspects especially for the era, time and place in which the theatrical event is presented. The formation that presents movements of actors and characters, colors, music and other things is more effective on the recipient.
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