سيمياء حركة الوجه الجسدية دراسة في الشعر العربي في كتاب الأغاني لأبي الفرج الأصفهاني(ت 356هـ)

Abstract

The research monitors some of the semiotics of the physical movements in the face that the recipient makes as a result of the poetic text or the way it is chanted, accompanied by the movements and signals expressing the emotion responding to an emotional moment that identifies with what is possible in the soul as a result of hearing the text, whether this influence is voluntary coupled with the consciousness of the recipient, or it is involuntary and driven With a vocalized suggestion and an internal tremor caused by latent psychological factors. This research is concerned with the semiotics of the movement of the face through what appears on it of manifestations that show the moment it is affected by a state of joy, pleasure, longing, sadness, anger, exclamation, and others as a result of receiving the text and receiving it, as the means of expression appears on the face of the person indicating that situation and its circumstance that was presented to the future. Joy and sadness are the largest share of the texts, in addition to the state of crying that expresses longing, nostalgia, and separation.