أساليب الإنشاء الطلبي في شعر اليزيديين

Abstract

In this research, marked by (Methods of Requested Composition in the Yazidi Poetry), I dealt first: Interrogative, Second: Calling, Third: Command, Fourth: Prohibition, Fifth: Taraji, and I tried to explain the importance of these styles that have their place in their poetry. First, I dealt with: the interrogative style, which formed a prominent phenomenon in their poetry in terms of the abundance of knowledge of its linguistic and idiomatic meaning, and through extrapolation of the Diwan, it became clear that the poets had used it with its different instruments that were put by linguists with its letters (hall, hamza) and their names (how, what, where, how much , that is), and these tools had an interrogative dimension to be served by the poetic text according to the context in which each one was mentioned in terms of the common meaning and the metaphorical meaning to which it emerges. Second: The call, so I started by defining it in terms of language and terminology, indicating the importance of this method in shaping their poetic language and defining their images.