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Obaidullah Issa Ismail Ibrahim
obidallahaysa31@st.tu.edu.iq
Nibras Wafaa Badri
obidallahaysa31@st.tu.edu.iq

Abstract

The random style in art is distinguished by its capacity to evoke a sense of astonishment and contemplation. It transcends the conventional constraints of rigid organization, granting the artist the freedom of expression with all the depth embodied by spontaneity. Beauty in this style emerges through the unexpected interplay of colors, lines, and shapes, allowing the eye to wander across the canvas without a clear path, as if discovering new worlds with every glance.


This study consists of four sections. The first section, The Methodological Framework, addresses the research problem, objectives, limitations, and definitions of key terms. The second section comprises two topics: the first discusses the concept of randomness, while the second examines contemporary painting in the context of calligraphic. The third section focuses on the procedures of research and analysis, and the fourth section presents the findings, conclusions, and recommendations.

Article Details

How to Cite
Ismail Ibrahim, O. I., & Badri, N. W. (2025). Random Pattern in Contemporary Painting: Letter Painting as a Model. Journal of Tikrit University for Humanities, 32(12, 2), 302–321. https://doi.org/10.25130/jtuh.32.12.2.2025.17
Section
Articles

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