The poetic image in the poetry of Qais bin Dharih
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Abstract
Objectives: This study aims to clarify the most prominent poetic images that appeared in the poetry of Qais bin Dhurayh, from an artistic perspective that gives importance to the artistic style of the poetic text of the poet, through which his poetry was mixed with a large abundance of artistic images, and what increased his poetic virility through which his many poems followed, and this ability helped him in artistic and creative creation.
Methodology: This study is classified within the analytical research based on the poetic texts included in the poet's collection within the contexts of the natural analytical work of his simile, metaphor and metonymy, and the study sample was a large group of poems adopted in his poetry collection, and the most prominent rhetorical poetic images were applied through them. Results: The most prominent main results reached by the research are the statement of the image through the primary principles that form it through poetic texts, and the use of the simile image and through that the summoning of all its tools from the simile and the simile and the tool of simile and the point of similarity, as well as the use of the metonymic image which is an expressive pictorial means, in addition to the symbolic image that the poet resorted to through the suggestion that created an integrated poetic image. Conclusion: This research dealt with the most prominent poetic images that appeared in the poetry of Qais bin Dharih, known as Qais Lubna, and I explained through it the most prominent simile images that the poet deliberately addressed in his collection, in addition to the metonymic image through which he explained the aesthetic aspects of his poetry, and also dealt with the symbolic image and sees that the crow is a symbol of pessimism, and also explained the meaning of the poetic image from a linguistic and technical point of view.
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