النسق الانثوي في مجموعة ((نفحات من جليد ونار)) للشاعرة ((لودي الحداد))

Abstract

The significance of the pattern (nasaq) is summarized as that which follows a single system. Abdullah Al-Ghathami defined it terminologically in his book "Reading in Arab Cultural Patterns." It may come as a synonym for the meaning of "system" according to the term presented by Saussure when he considered language as a system of signs expressing ideas in the context of distinguishing language from speech.

Apart from the feminist term that concerns or refers to gender patterns imposed by cultural, social, and historical principles, all of which come together under the umbrella of culture, texts and discourses are considered aesthetic symbols and formal metaphors. In fact, they are implicit cultural patterns that reflect a set of cultural, historical, political, social, economic, and moral contexts

Since the true poet is one who can address your feelings with the depth of their words, leaving you with moments of contemplation that take you to a world of creativity and beauty, that is the secret of the pleasure and beauty of poetry. This is what we have felt from the sincere poetic chants in the collection "Breezes of Ice and Fire" by the poet Lodi Al-Haddad. These emanated from the poet's sense, feelings, and creativity, as penned by her fingers and churned by her emotions.

Lodi Al-Haddad is considered one of the poets who may represent all of this in her poetry, and this is what we have tried to shed light on in our study in the following lines.