Main Article Content

Kazem Imran Musa
kaddhimalomran@coart.uobaghdad.edu.iq
Sinan Mohsen Ahmed
kaddhimalomran@coart.uobaghdad.edu.iq

Abstract

As part of aesthetic transformation of the visual system's forms, it addressed the spatial setup of theatrical presentation according to the directorial vision, which required variety, differentiation, experimentation, and difference to transcend frameworks and axioms. The theatrical experience's intellectual and aesthetic foundation is merged with the physical surroundings to create adaptable, free locations. Thus, this research examined the place's activity from the outside. Research challenge: answer this question. How does the director produce generative location using his directing hypothesis? It helps theatrical art students understand the director's stage-setting techniques. It examines the theatrical director's approach. The first part of the investigation analyzes how directing vision locates. The location's geography and theatrical presentation were explored in section two. Research sample was intentionally taken from the play. The most noticeable results came from director Bassam Al-Tayeb using sites other than the official venue (converted and found) since they fit his experimental performance style. Sharing the performance area with the receiver boosted the actor's performance, according to Al-Tayeb. He was creatively stimulated. One result was that the Iraqi theater director utilized all the geographical data to create his artificial environment in the confined area or spontaneously, depending on his vision in the changed or found site. End of research with source list.

Metrics

Metrics Loading ...

Article Details

How to Cite
Musa, K. I., & Ahmed, S. M. (2024). The Aesthetics of Place in Shaping the Directorial Vision of Contemporary Iraqi Theatrical Performances. Journal of Tikrit University for Humanities, 31(3), 483–498. https://doi.org/10.25130/jtuh.31.3.2024.24
Section
Articles

References

Jabour Abdel Nour. (1983). The manhole. Beirut: Dar Al-Ilm Lilmalayin.

Jamil Saliba. (1982). Philosophical dictionary. Beirut: Lebanese Book House.

John Whitmore. (2014). Directing in postmodern theatre. (Sami Abdel Hamid, The Translators) Baghdad: Dar Al-Masdar for Printing and Publishing.

Jones Sharjala. (1977). German-Arabic dictionary. Beirut: Lebanon Library Publishers.

David Louburton. (1997). Anthropology of the body and modernity. (Muhammad Arab Sasila, the translators) Beirut: University Foundation for Studies, Publishing and Distribution, Al-Hamra.

Sami Abdel Hamid. (2007). Innovations of playwrights in the twentieth century. Baghdad: Dar Al-Masdar.

Chaumet and Maria Sheshchevtsova Maitre. (2009). The fifty most famous major theater directors. (Muhammad Sayyid Ali, the translators) Cairo: Supreme Council of Antiquities Press.

Salah Al-Qasab. (2014). Quantum physics and the uses of its frequency equations in the technical field. Baghdad: Al-Fath Office.

Salah Al-Qasab,. (2003). Image theater between theory and practice. Doha: National Council for Culture, Arts and Heritage.

Abdul Majeed Shakir. (2004). Aesthetics (research into the concept and approach to appearances and perceptions). Syria: New Vanguard House.

Grigory Shcherbatov. (1997). Russian-Arabic dictionary. Beirut: Publications Distribution and Publishing Company.

Connell Council. (2003). Signs of theatrical performance. (Amin Hussein Al-Rabbat, the translators) Cairo: Ministry of Culture, Cairo International Festival for Experimental Theater.

Louis Maalouf. (Bit). Upholstered in language. Beirut: Catholic Press.

Marvin Carlson. (2002). Theater performance venues. Cairo: Ministry of Culture, Cairo International Festival for Experimental Theater.

Muhammad bin Makram bin Ali Abu Al-Fadl Jamal Al-Din Ibn Manzo. (1982). Arabes Tong. Beirut: Lebanese Book House.

Nick Kay. (1999). Postmodernism and the performing arts. (Nihad Saliha, the translators) Cairo: Egyptian Book Authority.

Herbert Read. (1975). Raising artistic taste. (Youssef Mikhail Asaad, The Translators) Cairo: Dar Al Nahda Al Arabiya.

Yuri Lotman. (1988). The aesthetics of the place. Morocco: Cordoba Publishing House.