Modernist theatrical trends for Iraqi performances At the Arab Theater Festival (select models)
Article Sidebar
Main Article Content
Abstract
It is well known that the interest in systematic scientific research in the art of the actor in the Western theater would not have really begun except with the emergence of the natural logic of performance in the second half of the nineteenth century and under the influence of the flourishing spirit of scientific research, which produced an increasing number of accurate scientific tools and means, and worked to develop them. With the aim of exploring and defining the dimensions of the natural world.
It was necessary to respond to this move by the new leaders of theatrical art (directors), and thus the theater became like a laboratory in which great directors such as (Andre Antoine - Edward Craig - Stanislavsky - Meyer Hold - Brecht - Beckett - Ionesco - Adamov - Peter Weiss - Peter Brock - Michael Curry - Robert Wilson - Richard Foreman - and others).
The research dealt with the experience of: Muhannad Hadi and Imad Mohamed in their performances, participating in the Arab Theater Festival in Tunisia 2018.
Metrics
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
-Ahmed Zaki: Director and Theatrical Visualization, The General Book Authority, Cairo, 1988.
-Ahmed Zaki: Contemporary Theater Trends, The General Book Authority, Cairo, 2002.
-Amr Dawara: The Director's Role Between Amateur and Professional Theatres, The General Book Authority, Cairo, 2006
- Antonin Artaud: The Theater and its Correspondence, translated by: Samia Asaad Ahmed, Dar Al-Nahda Al-Arabiya, Cairo, 1973.
- Eric Bentley, Theory of Modern Theatre.
- Hatem El-Telili: The Smell of Digital Culture War or Blood Theater, Fifth Issue, Festival Bulletin, January 14, 2018.
-Hyper Gordon: Acting and Theatrical Performance, translation, Mohamed Sayed, Academy of Arts Publications, Issue 36, Ministry of Culture, Cairo, 1999.
- Hassan Abdel Hamid: Confusion about the metaphors of death in the play Smell of War, Issue Six, January 15, 2018, Tunisia.
-Jan Kosovitch: Cantor's Theater of Death, translated by Hana Abdel Fattah, Cairo Festival for Experimental Theatre, Publications, Ministry of Culture, Cairo, 1993.
- Kamal Eid: Studies in Literature and Theatre, The Egyptian House for Authoring and Translation, Cairo.
-Nozha Al-Ghadbani: Political and Sectarian Confusion in the Scent of War, Issue 4, January 14, 2018, Tunis.
- Odette Aslan: The Art of Theater, Part 1.
-Samir Sarhan: New Experiments in Dramatic Art, Cairo, Gharib Bookshop, 1981.
- Stanislavsky: My Life in Art, translation, Darini Khashaba, Part Two, Arab Publisher Library, Cairo, Dr. T.
- Walid Ahmed: Death happens by chance and does not need permission in a play in the heart of Baghdad, Issue 4, January 14, 2018, Tunis.
-Tony Barr: Theatrical Representation for Cinema and Television, translated by Ahmed Al-Hadary, The Alif Book II series, the General Book Authority, Cairo, 1993.