Image of Ontology and its Plastic Senses in Theatrical Performance
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Abstract
This research aimed to study the (Image Ontology and its "plastic" senses in the theatrical performance). The researchers dealt with an international theatrical performance (Dead Class), by director (Tadeusz Kantor), starting from the problematic of the initial and original subject of the image and its plastic senses in the ontology of the structure of theatrical performance, because the image has several displacements that appear in its three dimensions, the first represents the (horizontal dimension) and the second represents the (vertical) dimension and the third dimension represents (depth), and with the completion of the triangle of philosophical beauty of the image, another depth is sought, which is the philosophical depth represented by the ontology of the image, that is, the search in the science of post-image and the techniques of its formation in the space of theatrical performance.
The two researchers determined the objective that they want to reach through the research problem, which is represented by the question about what the image and its ontological formations and its plastic senses are in the theatrical performance? In order to reach concepts that are consistent with the structure of the specific performance, and not others.
The two researchers also reached a set of results, some of which were mentioned, as represented in the ontology of the image that has formed a vague concept commensurate with the extent of ambiguity in human history by revealing the image of existence and its floods on the dramatic space with its aesthetic senses.
The theatrical space of the show was characterized by the sensual image of death through the performance, which consisted of non-consecutive movements and signals belonging to the right of war, destruction, and liberties.
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