Subjective and Objective and their Relationship to Reading the Artistic Achievement of Postmodern Arts
Article Sidebar
Main Article Content
Abstract
The current research is formed by the subjective and objective variables and their relationship to reading the artistic achievement of postmodern arts by studying the nature of this relationship and the mechanisms of its operation in reading the artistic achievement of postmodern arts, as the problem of the current research was built by answering the following question: What is the extent of the subjective and objective relationship with reading The Artistic Achievement of Postmodern Art?The current research aims to reveal the relationship between the subjective and the objective and their relationship to reading the artistic achievement of postmodern arts.The research community consisted of the artistic products of the postmodern artists represented by (the art of abstract expressionism, folk art, visual art, conceptual art, and the art of Hyperrealism), the researcher chose (5) samples for the sample.For the purpose of analyzing the sample models, the researcher designed an analysis form that included the subjective and objective research variables, from which a set of paragraphs were branched. A sample consisted of (3) models, then the reliability coefficient (0.87) appeared, which is a good indicator of the validity of the form.
The most important results of the research are:-
1- The focus on the subject in the artistic work emphasizes the relationship between the subjective and the objective through the integration of expression in adopting the idea of sensory departure to the visual significance.
2- The nature of the relationship between the subjective and the objective is affected by the operational vision of scientific knowledge according to experimental methods and varied between performance, technique, and scientific and technical media.
3- The relationship between the recipient and the aesthetic intellectual propositions of postmodern arts begins from an interaction between the elements of art itself and the means, mechanisms and idea used in its production.
Metrics
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
Imam, Imam Abdel Fattah, Introduction to Philosophy, House of Culture, Cairo, 1990.
Bowness, now: Modern European Art, T., Fakhri Khalil, Dar Al-Mamoun, Baghdad, 1990.
Torn, Alan: Promising Modernity, TR: Anwar Haqiq. P 38, Supreme Council of Culture, Cairo, 1997.
Hassan Hanafi, related article, The Arab Philosophical Encyclopedia, General Cultural Affairs House, Baghdad, 1988.
Al-Hanafi, Abdel Moneim, The Comprehensive Dictionary of Philosophy Terms, Madbouly Library, 3rd Edition, Cairo, 2000.
Ralph Alharlf: Freud, Desire, Dream and Hysteria of Hearts, Dar Al-Hadathah for Printing and Publishing, Beirut, 1st Edition, 1986.
Al-Ruwaili, Megan, and Saad Al-Yazii: Evidence of Literary Loss, 3rd Edition, Arab Cultural Center, Dar Al-Bayda, 2004.
Story, John, Postmodernism, Al-Adeeb Newspaper, Issue 29, Dar Al-Adeeb for Art and Publishing, Baghdad, Wednesday, July 7, 2007.
Smith, Edward Lucy, Artistic Movements after World War II, tr: Honorary Ministry of Culture and Information, House of Cultural Affairs, Baghdad 1995.
Shaker, Shaker Abdel Hamid, Aesthetic Detail, World of Knowledge, Al-Watan Press, Kuwait, 2001.
Al-Sufi, Hind, Pictorial Trends in the Arab and Western World from the Renaissance to Alif Al-Qaliq, Beirut, 2016.
Afif Bahnasy: The Art of Modernity to Postmodernism in Art, Dar Al-Kitab Al-Arabi, Damascus, 1997.
Afif Bahnasy: Schools of Visual Arts in the Era of Transformations, Visual Arts Center, Doha, 2006.
Al-Qara Ghouli, Muhammad Ali Alwan: Aesthetically Design in Postmodern Art, Ph.D. thesis, Babylon University, College of Fine Arts, 2005.
Marc Jimenez, Contemporary Aesthetic Trends and Possessions, Translated and Presented, Kamal Bouvier, Variation Publications for printing and publishing. Rabat, 2012.
Mahmoud Amhaz: Contemporary Art Currents, Publications Company for Distribution and Publishing, Beirut, Lebanon, 1996.
Mahmoud Amhaz: Contemporary Plastic Art. Triangle Design House, Beirut 1981.
Habbes, San, Philosophical Postmodernism, The Future of the Caliph in the Twentieth Century, T, Mustafa Mahmoud Muhammad, The World of Knowledge, Kuwait, 2004.
Herbert Read, The Brief in the History of Modern Painting, Tar: Lumaan Al-Bakri, 1st Edition, House of Public Cultural Affairs, Baghdad, 1989.
Wadi, Ali Shanawa, the pictorial surface between imagination, logic and interpretation, Dar Al-Sadiq for printing and publishing, 2007.
Simth Edward Lncie, Pop Artin Concepts of Modern Art, Ibid, 1987.