أنساق الحدث الدرامي في نصوص يوسف العاني ( بعد فوات الأوان أنموذجا)

Abstract

Arts and literature are creative manifestations that can only be found in the presence of a creative person, and the creator does not show signs of creativity and distinction except in the presence of an artistic treatment he mastered, Iraqi theater, his artistic treatments developed with the mediation of distinguished creative names in Iraqi theater, such as the writer and theater artist (Youssef Al-Ani), who left creative dramatic productions Locality of the subject, the human form, communicates with the other with ease and artistic attractiveness, as he linked the social to the aesthetic, realizing the equation of the reluctant easy in dramatic writing, as his dramatic text is distinguished by the local realism with the aesthetic construction tight in its plot and its personalities that make its aesthetic distance as if it lives with you in here and now.Youssef Al-Ani created for us plots, heroes, and dramatic events rooted in the memory and conscience of Iraqi creativity, and for this the researcher found a study of a text that had not been subjected to analysis before, starting from the study of the coordination of the dramatic event in the play (After it is too late) to get acquainted with the product of the writer (Youssef Al-Ani) from within The text, mediated by the following question: What is the consistency of the dramatic event in the play With Too Late? Written by Youssef Al-Ani in 1963 between Baghdad and Beirut? Therefore, the researcher started from the methodological framework, including the research problem, its objectives, its importance, its objective, temporal, and spatial limits, and the definition of terminology, then moved to the theoretical framework that ended with the indicators that will be an analysis tool for the sample model represented by the play (too late) an intentional sample that has undergone scientific analysis