The Implicit Cultural Pattern of Women in the Black Diaspora Poetry
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Abstract
Due to their fights with the tribe and authority, rejection of pre-Islamic norms and customs, and yearning for existential recognition for black people, the black outsiders' discourses featured numerous underlying cultural patterns. A group of black strangers headed to the desert to escape laws and regulations and enjoy complete freedom, but they suffered from its difficulty and displacement, so they rebelled and rejected to fight injustice, persecution, and racial and class discrimination. They rebelled against the tribal structure and strove to improve their lives via strength, bravery, revolution, and irreversible rejection. They sought to infiltrate the social norms and system based on the sanctification of the pure race and the condemnation of the hybrid race, which had always suffered from them and aspired to alter. The black foreign poets had a unique poetic character, and much of their work has survived in pieces. With their unstable lifestyle, which may have been due to their ostracism and expulsion from society, they had little contact with the narrators from among the people, and their poetry was mostly subjective, so their poetry for women included implicit cultural patterns to address the problems they suffered, especially those who suffered. They blended blackness and blackness, which led me to direct my research to interpret the underlying cultural pattern of women among these poets in line with current critical thinking.
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