Mounir Bashir and his Role in Spreading the Oud in Arab World and international Worlds
Article Sidebar
Main Article Content
Abstract
After the science of music began aiming for objectivity and eliminating contemplative and emotional restrictions in music analysis and study, interest in studying and researching the musical arts and methods of codifying accomplished instruments preserved the musical heritage from loss and made it accessible to any generation. Ancient Arabic musical instruments like the Oud may have been Sumerian. It was part of interpreting musical history objectively and fostering musical awareness and reframing the relevance of particular instruments, notably antique stringed instruments. The Iraqi international Oud player, Munir Bashir, plays a Mesopotamian instrument with a powerful musical message. After finding a fruitful subject for study and inspection, the researcher began his methodological framework by describing his research issue, need, significance, aims, and terminology. Within the theoretical framework the researcher includes three topics: Munir Bashir's life, knowledge, and musical skill development, as well as two axes: his life and knowledge and his experience and creative tours. The researcher examined a model (one of Munir Bashir's compositions) that is a sample of the Al-Hazam position (improvisation in the Al-Hazam position) for musical analysis in the third chapter. Critiques on Munir Bashir's musical experience were included. In the fourth chapter, the researcher incorporated study findings, conclusions, recommendations, and ideas. The fifth chapter comprises sources and appendices.
Metrics
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
Al-Bustani, Iman, (2015AD), Ziryab, The Twentieth Century, Al-Kadinia Electronic Magazine.
Jassim, Qahtan, (1992AD), This Child Has Become Famous, article published in Alf Baa Magazine, Issue 237, Baghdad: Ministry of Culture and Information.
Khalil Ismail, Thaer, (2015AD), Composing the Sama’i Form for Iraqi Musicians, Unpublished Master’s Thesis in Musical Sciences, College of Fine Arts, University of Baghdad: Iraq.
Sabli, Saif Al-Din, (1993 AD), Dean of Iraqi Music, Mounir Bashir, Alf Baa Magazine, Baghdad: Ministry of Culture and Information, p. 2316.
Al-Zaher, Muhammad and Monia Samara, (2002), The Music of Wisdom, Mounir Bashir, Notes, Book One, Beirut: The Arab Institute for Studies and Publishing.
Al-Abbas, Habib Thaher, (1994 AD), Al-Sharif Muhyiddin Haidar and his students, Baghdad, Ministry of Culture and Information.
Al-Abbas, Habib Zaher, (2010 AD), Flags and Musical Concepts, Part 1, Baghdad: General Cultural Affairs House.
Al-Abbas, Habib Thaher, (2012 AD), Manhal the Questioner about Music and News of Singing in Iraq - the Twentieth Century, Baghdad: Kurdish House of Culture and Publishing.
Abd al-Ridha, Muhammad, (2.18 m), Building the Musical Form of the Oud Instrument Pieces in Iraq, an unpublished master's thesis in Musical Arts, College of Fine Arts, University of Baghdad: Iraq.
Abdel-Wadoud, Hayam, (2008 AD), Characteristics of Contemporary Arabic Music, (D.N).
Farid, Tariq Hassoun, (2005 AD), theories and methods of analyzing Arabic music, Baghdad: University House for Printing, Publishing and Information.
Ko, Daniel, (1977 AD), Dialogue with Silence, Al-Qithara Magazine, Baghdad: Dar Al-Hurriya for Printing, Issue 42.
Mashari, Ali Najm and Khalil Ibrahim Al-Muwil, (2006 AD), Mounir Bashir, his life, his knowledge, his artistic qualification and his leadership, Ziryab Forum for Classical Oriental Music and Singing.
Muhannad Rasan Majbil; 2020; The melodic employment of the Iraqi maqam in Munir Bashir's musical improvisations; Unpublished Master's Thesis in Musical Sciences; College of Fine Arts; Baghdad University: Iraq.
Moreh Lee, Ali, (2018 AD), Munir Bashir - Mimar - Praised by Al-Hazzam, Al-Jadeed Al-Arabi Magazine,. 126.