The tendency of belonging at the forefront of the poem in the Islamic era Omar bin Laja Al-Tamimi (model)
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Abstract
This research studies the tendency of belonging in the introduction to the Arabic poem in the Islamic era with the poet Omar bin Laja as a model. In the same poet according to its different dimensions. Hence, we monitored the poet's Talli and Ghazal pauses, to find that it is the prominent feature with which the poet was known for preserving the traditional models of the introductions of the pre-Islamic era. For the poet, it was a key to entering and accessing the desired purpose for him in the poem, so these introductions became clear to the poet suggesting sincerity to follow the ancient tradition, which gave living evidence of the poet's relationship with the past of his ancestors of poets And his language formulated it to form an aspect of belonging to the place or emulating the traditional aspect of the Arabic poem, whether in terms of form, content, image and meaning. Accordingly, we try to monitor some of the preludes and ghazals of the poets of the Islamic era, to find that such a phenomenon has a prominent characteristic in the introductions of their poems, which was considered a prominent feature of his knowledge of the tendency to belong to such premisses.
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