The Effect of Islamic Decorative Coding on Shaping and Decorating Pulpits
Article Sidebar
Main Article Content
Abstract
The general characteristics that eliminated all artistic and architectural productions with a decorative artistic achievement was characterized by its Islamic affiliation, by activating the capabilities that permit the presentation of the aesthetic given, but within the limits of taking away the realistic dimension of artistic embodiments and formations and making them narrow within the limits of modification and decorative abstraction in order not to rise to the refineries of creativity of duty. One of the limited technical methods adopted in the process of displaying, decorating and modeling craftsmanship, but the huge reservoirs that emerged from these data, we find that the surfaces of the occupied materials have been transformed into paintings that express the most beautiful forms of statement and composition, and from those surfaces the installations and aspects of the Islamic pulpit are distinguished with a moral specificity that combines in their artistic and professional structural components. The course of the dominant, dynamic and directed character of the Muslim public, the fact that this moral symbol formed, with its decorative symbols, an important cultural and religious axis that took its striking position since the beginning of the Muhammadiyah call and its connection with that theme or charisma that dominates the overall intellectual and emotional formation of the Muslim self.
Metrics
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
The Holy Quran .
Ibrahim Muhammad Ismail: Dictionary of Quranic Words and Media, Dar Al Fikr Al Arabi, Cairo, 1969.
Ibn Manzur: Lisan al-Arab, vol. 5, Dar Sader, Beirut, 2005, p. 60.
Abi al-Fadl Jamal al-Din Ibn Manzur: Lisan al-Arab, Mag 5, Dar Sader, Beirut, 1300 AH.
Ahmed Mukhtar Omar: The Dictionary of Contemporary Arabic Language, Volume 2, The World of Books, Cairo, 2008.
Gibran Masoud: Al-Ra'ed Linguistic Dictionary, 7th Edition, Dar Al-Alam Al-Malayn, Beirut-Lebanon 1992.
Jamil Saliba: The Philosophical Dictionary, Part 1, Lebanese Book House, Beirut, 1982.
John McQueen: The Codification, from the book Encyclopedia of the Critical Term, Translation and Verification: Abdul Wahid Lu’loua, Volume 4, Arab Foundation for Studies and Publishing, Beirut, 1993
Hamdi Khamis: Artistic appreciation and the role of an entertaining artist, Arab Center for Culture and Science, Beirut-Lebanon, 1975.
Zaki Muhammad Hassan: Atlas of Decorative Arts and Islamic Pictures, Dar Al-Raed Al-Arabi, Beirut, 1981.
Zaki Muhammad Hassan: The Arts of Islam, Dar Al-Raed Al-Arabi, Beirut, 1981.
Sami Rizk: Principles of Artistic Appreciation and Aesthetic Coordination, The Source of Arab Culture Library, 1982.
Sawsan Ahed Al-Zoghbi and Two: The Arab Decoration, Damascus University Press, 2010-2011.
Sherine Ihsan Shirzad: Principles in Art and Architecture, Al-Dar Al-Arabiya, Baghdad, b. T .
Dari Mazhar Salih Al Amiri: Beauty and Jalal Al Jamal in the Noble Qur’an from a Sufi Perspective and Their Reflection in Islamic Ornamentation, Unpublished PhD thesis, Euphrates Basin Office, Saint Clement University, 2007.
Al-Taher Ahmad Al-Zawy: Mukhtar Al-Qamoos, Arab Book House, Libyan Arab Jamahiriya, 1984.
Asim Mohamed Rizk: A Dictionary of Islamic Architecture and Art Terms, Madbouly Library, Egypt, 2000.
Abdel-Fattah Riad: Training in Fine Arts, 4th Edition, Dar Al-Nahda Al-Arabiya, Cairo, 2000.
Abdullah Atiya Abdel Hafez: Archeology and Islamic Arts, Cairo, 2005.
Ali Thuwaini: A Dictionary of Islamic Peoples' Architecture, House of Wisdom, Baghdad, 2005.
Ghazi Rajab Muhammad: The pulpit in the Islamic era, Sumer Magazine, C1,2, Mag 31, Directorate of Antiquities, Baghdad, 1975.
Philip Hitti: The Arabs; A Brief History, House of Science for the Millions, Beirut-Lebanon, 1991.
Katie Wiles: Glossary of Stylistics, Tel: Khaled Al-Ashhab, Arab Organization for Translation, Beirut, 2014.
Luay Salim Muhammad Al-Alawi: Islamic Ornamentation between Form and Meaning, unpublished MA Thesis, College of Engineering, University of Baghdad, 2002.
The Academy of the Arabic Language: The Intermediate Dictionary, 4th Edition, Shorouk International Library, Egypt, 2004.
A group of professors and researchers: The Arab Philosophical Encyclopedia, Volume 2, Block 1, Institute for Arab Development, Beirut, 1988.
Muhammad bin Abi Bakr Abd al-Qadir al-Razi: Mukhtar from the Authentic Language, Dar al-Risalah, Kuwait, d.
Muhammad Husayn al-Tabatabai, Al-Meezan fi Tafsir al-Qur’an, Part 3, Supreme Institution for Publications, Beirut-Lebanon, 1997
Muhammad Abdel Aziz Marzouq: Islamic Decorative Arts in Morocco and Andalusia, House of Culture, Al-Gharib Press, Beirut, 1973.
Nathan Knobler: The Vision Dialogue, Tel: Fakhri Khalil, Revision by: Jabra Ibrahim Jabra, Al-Ma'moon House for Translation and Publishing, Baghdad, 1987.
Yahya Waziri: Encyclopedia of Elements of Islamic Architecture, Book Two, Madbouly Library, Egypt, 1999.
Youssef Khayat: A Dictionary of Scientific and Technical Terms, Dar Lisan Al Arab, Beirut, 1974.
المصادر الاجنبية
- Rachel Mc Connell : Pierre Paul Prud'hon and the Genius of Allegory , Master of Art in Art History , University of California , 2010 .
- Jeremy Tambling : Allegory , Routledge , Taylor & Francis Group , London and New York , 2009- 2010 .
- Michael Melanson : Allegory , It Happens , A Multi- Perspective Case study of the Lord of the Rings , B A thesis Literature , Stockholm University , 2016.