The architecture of the body in Andalusian poetry Between literary photography and cultural establishment
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Abstract
Most of the literary texts of different eras were characterized by the high ability of their producers to evoke people and focus on their depiction and work on creating their remembrance and mentioning their different morals or sensory qualities and embodying this directly in the folds of the literary text. This was evident in Andalusian poetry, which is by its nature is undoubtedly an extension of Arabic literature in its different eras. The aesthetic and semantic images drawn by that embodiment and the different dimensions envisaged by it, such as the communicative and cultural dimension, the social dimension of physical architecture, and other aspects that the literary text calls for and invites the writer to invoke it. Perhaps all of this called us to stand at these qualities that the Andalusian poet intended to embody in his poetic text, whether it was a full or partial embodiment, and to clarify the aesthetic images drawn by that embodiment and evoke and to indicate its various connotations.
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